“Catenaccio is like a Titian painting – soft, seductive and languid. The Italians welcome and lull you and seduce you into their soft embrace, and score a goal like the thrust of a dagger.

 The Dutch make their geometric patterns. In a Vermeer, the pearl twinkles. You can say, in fact, that the twinkling of the pearl is the whole point of Vermeer. The whole painting is leading to this moment, the way the whole of football leads to the overhead goal of Van Basten. The English like to run and fight. When Gullit tried to transplant this Dutch art to Newcastle, he was trying to do something impossible. He was bound to fail

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